The Round-Eye and the Princess, Pt. 1

The Wolverine (2013) 126 mins.



"I'm the Wolverine."

Let's face it. At this point, Hugh Jackman is the Wolverine. As a kid who bought not only Hulk #180 and #181, but also Uncanny X-Men #94 and Giant-Size X-Men #1 off the spinner rack as a kid, I'm a big fan of the character. I was there for his origin, the month it happened. I was there when he joined the X-Men, as the issues came out. So it was with some trepidation that I watched this movie, hoping one of my favorite characters wouldn't be ruined by a movie which featured him as the lead.

I need not have worried. Like I said, Hugh Jackman is Wolverine. I'm sure it's because we've seen him so many times as Wolverine that we totally buy him as the character, but it's also because he really gets who Logan is, as a man, as a soldier, as a reluctant "hero". He doesn't ruin Wolverine for me. He inhabits the persona in a way we could only have wished for.

As a Wolverine movie, this is a fantastic movie: it relies on some of the best material (chiefly the Frank Miller era), it doesn't recap the origin story yet again, it plays the character the way he was meant to be played, and it's a crisp, stylish, action-filled romp, with lots of superhero fun, yet it's dark, grim and gritty enough to still remain a Wolverine movie.

Of course, every bit, from the crazed loner in the Canadian Rockies to the sinister scientist-villain to the not-so-defenseless princess to the giant robot to the storming-the-castle scene to the endless ninjas to the strange mixture of cutting-edge technology and weird metaphysical mumbo-jumbo has all been done before, but this is about serving up those familiar flavors in a way that still seems fresh, and tasty, and delicious. This film delivers.

Luckily for us, Hugh Jackman is the Wolverine. The kid that bought those comics way back in the Seventies is incredibly happy about that.

Five ninja throwing stars of mutant greatness.

Five Stars. Really Good.

٭٭٭٭٭

Seventy-Two Minutes

Justice League: Throne of Atlantis (2015) 72 mins.

Almost Lovecraftian in its visual homages to eldritch lore.

Throne of Atlantis is a surprising movie. It covers a lot of ground in its 72 minutes. Old Boomer that I am, some of the "New 52" material leaves me forgetting to forget all that I already know about these characters, and try to see them anew, as if I was ten or twelve all over again. Once I remember to unload that continuity baggage, it makes it easier for me to enjoy their latest material.

Easier, but of course I still have some critiques. The dialogue again has a sort of anime-influenced info-dump feel at times. At times the plot is both epic High Opera and just a little too pat (as is the dialogue). The dialogue tries a bit too hard to my ears to be "edgy" and "hip" and "adult" but I guess that makes it the perfect PG-13 movie, huh? Because what is a PG-13 rating if not an advertisement for ten- to twelve-year-olds?

Based on the time limit and the intended audience (fifty-three-year-old twelve-year-olds) I'll give them a bit of a pass on most of my quibbles. I don't know if anybody really learns anything, but Aquaman undergoes a little character arc. Of course, because of the time restriction (80 minutes is the target), Acts Two A and Two B are combined, but then that's just how these things are done. Welcome to the Upside-Down World, and Hey Look Out! both happen at the same time, closely followed by Dirty Deeds Done with Dastardly Delight, coupled with All Is (Seemingly) Lost.

In the end, it's a bit of a fairy tale, a bit of a coming of age movie, a bit of a buddy film and a bit of a love story. The war story provides the backdrop. The action, once it really gets going, is not only just what you'd expect, it has some slightly interesting takes on the usual tropes. I'm really going to have to start a body count for the dead parents in these movies. They're positively Disney-esque in their commitment to the Monomyth.

I've been a bit remiss on this blog so far in not giving any fractional ratings, but this movie really brings out the schoolboy in me. They succeeded in (almost) making Aquaman cool again. For that alone it gets the passing grade, if nothing else. The language and the ultra-violence seemed to serve the plot and the style in the final analysis, jarring as it seems during the early scenes. These ain't Daddy's DC Comics movies, kids. Not anymore.

Can't give it an F (three stars is kind of a failing grade). Can't give it a B (four stars is too strong of a recommendation). Somewhere between B minus and C plus. Better than Not Bad. Right on the edge of Good. Three-and-three-quarters? Somewhere around a 79.

Three Stars Plus: Better Than Not Bad.

 

٭٭٭